The Histoire, which Casanova wrote at the end of his days when he was working as a librarian at Dux Castle in Bohemia, details with such wit, candour and style his peripatetic years as a priest, con-man, cabbalist, violinist, soldier, alchemist, prisoner, fugitive, gambler, intellectual, writer and lover, while inadvertently giving such a vivid picture of mid-18th-century Europe, that not only is there little for anyone to add but due to its sheer bulk - over 3,800 pages, making up 12 volumes - the beleaguered biographer must rather choose what to take away in order to make his own version a reasonable length.
Casanova has baffled and thwarted many of those writers who, while trying to describe and evaluate his experiences, have succeeded only in repeating in edited form the events as he tells them, but in Ian Kelly he has at last found his Boswell. Himself an actor, Kelly is immediately alert to the theatricality of his subject.
Accordingly, Kelly shapes his biography around not chapters but dramatic acts and scenes, with refreshing intermezzi where he pauses to discourse, in true Enlightenment fashion, not only on Casanova's involvement in the Cabbala, the 'fusion of Gnosticism, Egyptian mathematics, neo-Platonism, Judaic mysticism and personal revelation' by which he was so mysteriously intrigued; but also on his means of travel (important in terms of sex-on-the-road), his love of food (equal and analogous to his love of women), and his attitude to women (most appreciated when they smelt of cheese).
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